My Printmaking Process
Printmaking is such a diverse discipline and a 'print' can mean lots of different things. Often you hear 'print' meaning giclee prints or digital reproductions of an original painting or illustration.
Most of my works are dry point prints. Each one is made by hand, painted by hand and then signed and numbered - as they are limited edition.
First, I start out by sketching my design until I'm happy with it. I then transfer my design onto illustration board, which will become my 'plate'. I cut out my plate, seal it with up to 6 coats of sealer, and then I etch all of the lines of my design into the plate with a sharp tool.
My next step is to 'ink up' my plate ready for printing. The ink goes on and then the excess ink gets gently wiped off, leaving ink in the etched lines. This is the most time-consuming part of the process.
When I'm happy with the plate, it goes onto the etching press. My paper goes on top and I hold my breath and wind it through the press.
The prints are left to dry. To make the next print, I ink up and wipe off my plate again.
Plates made in this way can only go through the press limited times and so each of my designs will be limited to /15 or /25 prints in an edition.
When you see a number on the bottom of an artwork like: 2/25, that means it was the second print pulled in an edition of 25. U/S stands for Unique State and means that the print is unique, either due to ink colour, layout or the watercolours used.
Once the print is dry, I paint it with artist quality watercolour paints. The colours that are mixed can never be recreated exactly, so each one has its own unique quality.
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Surf Artist, Hannah Katarski is based in Fremantle, Western Australia. She creates ocean-inspired art that is bohemian, retro and fun.