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My Printmaking Process

25/3/2022

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Printmaking is such a diverse discipline and a 'print' can mean lots of different things. Often you hear 'print' meaning giclee prints or digital reproductions of an original painting or illustration.

Most of my works are dry point prints. Each one is made by hand, painted by hand and then signed and numbered -  as they are limited edition.

First, I start out by sketching my design until I'm happy with it. I then transfer my design onto illustration board, which will become my 'plate'. I cut out my plate, seal it with up to 6 coats of sealer, and then I etch all of the lines of my design into the plate with a sharp tool.
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My next step is to 'ink up' my plate ready for printing. The ink goes on and then the excess ink gets gently wiped off, leaving ink in the etched lines. This is the most time-consuming part of the process.

When I'm happy with the plate, it goes onto the etching press. My paper goes on top and I hold my breath and wind it through the press.
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​The prints are left to dry. To make the next print, I ink up and wipe off my plate again. 

Plates made in this way can only go through the press limited times and so each of my designs will be limited to /15 or /25 prints in an edition.

When you see a number on the bottom of an artwork like: 2/25, that means it was the second print pulled in an edition of 25. U/S stands for Unique State and means that the print is unique, either due to ink colour, layout or the watercolours used.
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Once the print is dry,  I paint it with artist quality watercolour paints. The colours that are mixed can never be recreated exactly, so each one has its own unique quality.
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​ORIGINAL PRINTS vs GICLEE PRINTS and DIGITAL PRINTSIt is easy to get confused about what you are looking at when viewing a 'print'. This term applies to a wide range of different products.

Hand-pulled prints: These are original, handmade artworks. They may be a one-off or form part of a small edition. But each is a discrete artwork. Intaglio techniques, such as my etchings and collagraphs will create an embossed edge on the paper. Relief techniques include linoprints and woodblock prints. Hand-pulled prints are more valuable than other types of prints by the same artist. They will be signed and numbered by the artist, most commonly in pencil.

Includes mediums such as: collagraph, etching, lithograph, dry point, intaglio, linocut, monoprint, screenprint.
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Giclee prints: (pronounced jee-clay) These are quality, archival reproductions of an original artwork or photograph. They may even be a reproduction of an original print. Also called fine art prints, they should be of excellent quality, printed with specialised inks to museum standard. They may be editioned, signed and numbered, thus increasing their value. 

Digital prints: These are the most affordable prints. They are digital reproductions of artwork or photographs, often printed with an inkjet printer. The lines have blurred in recent years with many digital prints being referred to as giclee prints, and digital printing now available to a very high standard of quality and longevity. They may be signed and numbered - but not necessarily. Uneditioned prints will be the most affordable.

It can be hard to tell a good giclee from an original. Look for the embossed edges on an original intaglio print and an original signature. If the signature forms part of the image and is not made by hand on the paper, it is a reproduction. ​
Shop Original Prints
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Art Paper Dolls

17/5/2021

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I love painting and I also love surfing. So I love to combine the two wherever I can! Read on to learn how to create a cute paper doll with changeable outfits. Paper dolls are so nostalgic of our youth and have a long history.
​Your doll can be a mini-me or inspired by someone you know, or completely fictitious. 
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Materials
​300gsm watercolour paper or Bristol paper
Watercolour, gouache or acrylic paints, coloured pencils or markers
Paint brushes
Scissors
Pencil and eraser
Tracing paper (or cheap oven paper)
Waterproof fine-liner pen, like Unipin (optional)
Light box or a bright window
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What clothes and accessories will your paper doll have?
1. Let’s start with the paper doll. If you enjoy drawing, draw a person freehand. You can stylise the body, face and hair. Or if that is stretching your skills too far, take a full length selfie, or snap a pic of your friend. Wear something figure hugging, or even your bikini. Your doll can have her hands by her sides, or strike a pose that you want your doll to hold, such as a hand on hip.

2. View the photo on a tablet or computer screen and zoom it to the size you want your finished doll to be. Then grab your trusty tracing paper, or oven paper, and lay it on your screen. Pressing gently, trace the important lines. Make sure you get the outline, plus simple lines for facial features and hands.

PictureBlack and white sketch and the finished doll. Keep facial lines simple.

3. If you like, draw a bikini on your doll, so she is still wearing something when she’s unclothed.
When you are happy with your design, go over the pencil lines with the black pen, so it is easier to see.

4. Now that you have the doll, you can use this as a template for drawing the clothes. Tape your tracing paper with the doll to a light box or to a bright window. Carefully tape the edge of the watercolour paper over the top so you can see your doll through it. Now draw an outfit straight onto your watercolour paper, or draw it onto a fresh sheet of tracing paper if you’ll need a few goes to get it right. The outfit can be bigger and wider that the doll but not narrower.
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Tracing sketch using a window
If your doll has its hand on its hip, you may need to include the hand on each new outfit. Once you finish an outfit, move the watercolour paper to align the doll with an empty spot so you can draw your next outfit.

Drawing wetsuits are super easy. You could also draw your fave holiday outfit, swimmers and post surf kit, wintery clothes, and evening wear.

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Painting outfits.
5. On each outfit, draw tabs that will fold over and hold the clothes onto the doll. They need to be long enough that they can wrap around. One on each shoulder and a couple near the waist or hips is usually enough.

Why not draw some accessories, like your dream surfboard?
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Use sharp scissors and remember to keep the tabs connected.
6. Using the window again, trace your doll onto watercolour paper. If your outfits are on tracing paper, transfer those too.

7. Paint the outfits using your preferred supplies. You can even use coloured pencils or markers, or a combination. You may like to ink the important details with the waterproof pen and erase your pencil marks before painting. When painting, wait for one area to dry before painting next to it. This will stop colours bleeding into each other.

8. When everything is dry, cut out your doll and outfits with a pair of small, sharp scissors. Don’t forget to keep the tabs attached!

These paper dolls make wonderful gifts or keepsakes from an adventure. When you complete the project, share your paper doll with @mermaidscoin and #surfgirlpaperdolls on instagram.
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Learning is a Journey

12/2/2021

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I joined Skillshare as a student about four years ago and I posted my first class - about combining watercolour and gouache - almost 2 years ago! Needless to say I have learned a lot since that first class.
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I wanted to share a valuable tip with you about using gouache. White is magic! 
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  1. You can use white to add in highlights. If you come from a watercolour background, this will be new to you. It really helps to add that finishing touch to the painting.
  2. But did you know that mixing just a little white with your colour will up the opacity without changing the colour? It's like magic. The chalk in the white paint helps to cover layers below much much better. Perfect when you've made a boo-boo or had a change of mind.
  3. Not only that, but the addition of a little white, reflects light better, making your bright colours more luminous. Initially I found that using an opera or bengal pink (like that pictured above) just wouldn't look as nice and bright on the page. A little white does the trick!

When I started teaching my first class, I didn't know these tips, but wanted to share them with you. If you are keen to learn more about wonderful gouache and ways to combine it with watercolour, I hope you'll check out my class. 
Online Class Info
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SurfGirl Magazine

13/12/2019

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I'm so excited to be included in this month's SurfGirl magazine! I copy arrived in my letterbox and it looks beeeeyoootiful! I've written a tutorial for creating your own quiver of surfy bookmarks.

I was also interviewed for the SurfGirl website and you can also see me painting over there too!
​Check it out the interview here:
https://www.surfgirlmag.com/2019/12/speed-painting-with-mermaids-coin-art/
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Mystic Sun Week 2019 - 5 reasons why you should do an online art challenge.

22/7/2019

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Hey there! It's been a while. You know how it is. Keeping all the balls in the air and trying to have a social media presence is just too much sometimes.

After having a month long break from social media, I spent the last week having a lovely time painting new illustrations for an instagram art challenge 'Mystic Sun Week'. A bunch of great artists were involved and it was a nice chance to work to a deadline on something totally different. Each day had a different prompt to spark an illustration and everyone tagged their posts with #mysticsunweek.

1. Increase in Engagement

The insta algorithm shows 'interesting' content to more viewers. Higher engagement = interesting. So the more people that are liking and commenting on your post, the more people will actually see your posts. After a long break from insta, my engagement was non-existent. So taking part in a challenge was a great way to boost this engagement. All the participants used the same hashtag, and then would follow that hashtag to explore all the new work being created. So an online challenge means an engaged, captive audience!

View this post on Instagram

A post shared by Mermaid's Coin SurfArt / Perth (@mermaidscoin) on Jul 15, 2019 at 4:29am PDT

2. Build your Portfolio

This online challenge ticked a couple of boxes for me. I loved the theme, plus it enabled me to get back onto instagram AND create some new work for my portfolio. I'll also make prints of my favourites to stock my Etsy shop. You could even pop your new work on Society6, RedBubble or another print on demand site.
You could create unrelated illustrations, or choose a colour scheme or motif to carry through the whole week so that you have a cohesive collection  at the end!
View this post on Instagram

A post shared by Mermaid's Coin SurfArt / Perth (@mermaidscoin) on Jul 16, 2019 at 4:15am PDT

3. Beat the Procrastination

I've had the best of intentions with the 100 days project over the last couple of years, but I don't think it is actually feasible for me at the moment with 2 young kids, juggling work and a side hustle - it just doesn't even make it onto my list of to-dos most days. 
However, an online challenge that lasts a week is achievable for anyone if you have a bit of lead time. We are all prone to procrastination but done is better than perfect! A week long challenge is a great kick in the pants to just bang out some work and not be too precious or torn about what you create. It is really liberating! Plus posting every day keeps you accountable - you have to meet that deadline.
View this post on Instagram

A post shared by Mermaid's Coin SurfArt / Perth (@mermaidscoin) on Jul 17, 2019 at 4:23am PDT

4. Connect with a Creative Community

A challenge is such a fab opportunity to connect with other artists, receive feedback about your work AND discover other artists you love! If you are lucky you even generate work from someone new seeing what you create. I often had a couple of colour variations for one project and would ask my audience which they preferred. This gave me some really useful feedback and meant my whole audience could share their opinion and vote. 
View this post on Instagram

A post shared by Mermaid's Coin SurfArt / Perth (@mermaidscoin) on Jul 18, 2019 at 5:08am PDT

5. Yoga for your Brain - Stretch Yourself

Most people would argue that it is heaps easier to create artwork about what you are loving right now. But what about when a client wants something that just doesn't float your boat? If you can get excited about it, you are likely to produce much stronger work. 
Online challenge prompts a usually fairly broad. For Mystic Sun Week they were: Flower, Goddess, Sun Bath, Flourish, Fruit, Animal, Festivities. It's a pretty open brief, but you still have to come up with an idea that fits. This is great practise for client work, or those commissions. It keeps you agile and make you work outside of your comfort zone.
View this post on Instagram

A post shared by Mermaid's Coin SurfArt / Perth (@mermaidscoin) on Jul 19, 2019 at 3:59am PDT

Generating New Ideas...

​If you freak out about the idea of having no idea - I'm here to help you.

In my next post, I'll share my process for generating loads of fresh ideas. Catch you then.

View this post on Instagram

A post shared by Mermaid's Coin SurfArt / Perth (@mermaidscoin) on Jul 20, 2019 at 3:57am PDT

View this post on Instagram

A post shared by Mermaid's Coin SurfArt / Perth (@mermaidscoin) on Jul 21, 2019 at 4:06am PDT

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    WELCOME TO MERMAiD'S COiN

    Surf Artist, Hannah Katarski is based in Fremantle, Western Australia. She creates ocean-inspired art that is bohemian, retro and fun.

    Mermaid's Coin is the perfect place if you are a surfer girl, surfer at heart, decking out your beach house, or just wanting a little bit of Summer to hang on your wall.

    Instagram @MermaidsCoin

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